Dan + Claudia Zanes Community Concert sponsored by Valero

Carver Community Cultural Center 226 N. Hackberry, San Antonio

Grammy Award winner Dan Zanes and Haitian-American jazz vocalist Claudia Zanes perform a mix of old and new songs from near and far in a style that’s been called “All Ages Social Music.” In other words, when they perform it’s a party! The selections are drawn from Dan’s celebrated catalogue; their Kennedy Center commissioned folk opera called Night Train 57; the House Party songbook published in 2018, and the new Smithsonian / Folkways release "Dan + Claudia Zanes - Let Love Be Your Guide." During these highly interactive shows, the audience is invited to dance and sing along in what...

Fiesta Family Blues Festival Free Community Event

The Espee Pavilion 1174 E. Commerce Street, San Antonio

Party with SAAACAM and your friends, learn the history of San Antonio Blues, food trucks, join a drumming circle, tryout instruments, dance to the sounds of a brass band and sing-along with family and friends. Performances include: T-Bow Gonzales Agarita Fort Sam's Own 323D Army Biohazard Brass Band Dan + Claudia Zanes This event is FREE to the public.  Join us immediately following the Battle of the Flowers Parade.

Celebrate Juneteenth

Legacy Park 103 W. Houston Street, San Antonio

In the Eye of the Beholder Art Gallery is hosting a celebration of freedom and SAAACAM is one of the guests! Join us for an evening of music, art, and history celebrating freedom.

The Cherry St. Blues Fun Raiser Party

The Cherrity Bar 302 Montana Street, San Antonio

Celebrate the unofficial end of summer and the kick off of our fall season with SAAACAM! Check out our pop-up exhibit, "From Cherry St. to Wetmore Rd: The Journey of Black and Blues in San Antonio."  Meet the SAAACAM team and learn about our fall programming. There is great food and drink for purchase with SAAACAM reaping the benefits of your purchase.  See you there!

Nina Simone: Four Women by Christina Ham

The Public Theater of San Antonio 800 W. Ashby, San Antonio

It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses’ most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. A journey that leads these four women through healing and transformation.

Nina Simone: Four Women by Christina Ham

The Public Theater of San Antonio 800 W. Ashby, San Antonio

It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses’ most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. A journey that leads these four women through healing and transformation.

Nina Simone: Four Women by Christina Ham

The Public Theater of San Antonio 800 W. Ashby, San Antonio

It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses’ most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. A journey that leads these four women through healing and transformation.

Nina Simone: Four Women by Christina Ham

The Public Theater of San Antonio 800 W. Ashby, San Antonio

It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses’ most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. A journey that leads these four women through healing and transformation.

Nina Simone: Four Women by Christina Ham

The Public Theater of San Antonio 800 W. Ashby, San Antonio

It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses’ most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. A journey that leads these four women through healing and transformation.